The only project I've done with Superior, though, UI built a kit and then routed it into Reaper, and mixed it there. I've used them here and there while demoing out ideas, and for that purpose, they're totally fine and I have no complaints. I honestly haven't spent much time playing with the presets in Superior 3. which on the other hand, has more realistic velocity dynamics (especially hihats) Yes I do differentiate between what I LIKE and what "sounds good" compared to album recordings.Īnd SSD5 and PD just sounds way more finished and usable than Superior 3. well, I guess, perfect sound for "djent" bands, overall the presets do sound pretty good. But it has a little fuller sounding presets than the overly clicky/trebly SD5 stuff.ģ. Steven Slate 5 has decently realistic velocity levels, but not like SD3. Presets vary but most are quite bad to my earsĢ. Superior 3 is easily the most realistic when it comes to velocity, hihats and all that. I already regret making this thread because it's stupid and a WASTE OF TIME when I could be ROCKING OUT instead.Īfter trying out a few I THINK I like Steven Slate 5 the most.īut the "realism" factor is very different in these:ġ. We'll see how this side/EP goes.as to whether I continue to print that stuff.Click to expand.Have I ever worked up myself about something actually worth working up about? :lol: It's being recorded as audio, cuz audio is forever. I'm running it down without the DSP and with.right now, I'm feeling like the modeling stuff running at session rate is contributing a nice "size" to it, but I've done this kind of thing before and smacked myself later. Kramer tape on the snare top.SPL Transient Designer on toms and overheads set to -3 or -4db sustain-subtle. I left the little resonance cuts George made.I trust his familiarity with the kit and mics, but for any "personal coloring" I'm doing it in Cubase like I have for anything. In general, some observations: the built in plug ins weren't making me happy, so I subbed it out. I'll be glad to share what I'm doing with it, though.
#TOONTRACK SUPERIOR DRUMMER 3 MIXER PRESETS FULL#
You'll have to reroute everything back to stereo.and the balances are set in Cubase, too-since I want it to render at full volume.anyway-all told, I thought it might be as confusing as helpful just dropping it "as is". I think if you open mine in stereo you'll hear just a kick drum. I've got it all bussed to half the outputs into Cubase.
I considered putting my working preset up today.but, then-these presets contain the whole routing. I'm of the belief that's one of the few sonic advantages to working in digital.being able to time compensate multiple mics. I know there's a purist thing where people don't want to time compensate.and I get that. Mainly, though.I started with his because he did all the time compensation and polarity adjustment for us. I think I also took away the dynamic overheads-pumped everything to the condensers instead. I'm basically using Massenberg's Premiere preset.with the snare switched for the Ayotte you used in "tight".and the hat switched to the 17" masterworks.
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